“And it was incredible just to have this idea of what this job could be and then be experiencing it live and present, and with this company.” “But then the first day on set of this series and this episode, my first scene was with. “I think for Chris and I the first day for us was the regeneration ,” Jodie Whittaker told. On screen, there's no denying it: it looks like a much slicker Doctor Who.
So when we lacked in budget we put the love in, and I think that worked.”Īccordingly, the new series has brought in top-of-the-line new lenses, fiddled with the aspect ratio and brought in visual effects artists DNEG to give the monsters and alien worlds a fresh look. I think people put in the extra mileage because of it. “But the other thing was just everyone was passionate about trying to keep up that level of quality in the show. “I think that was a big part of it in terms of the look,” agreed Childs. “And that is partly to do with, and partly to do with the provision of Jamie and how we wanted to frame the drama, the lenses we used and everything else.” “But people don’t discern and discriminate when they’re watching something, and we just wanted to make sure that it looked as classy and contemporary and fresh as it could be. “That’s the big conversation we had with Jamie, is that we don’t have the Netflix budgets necessarily,” Strevens admitted. However, in an era of ever increasing TV budgets and huge Netflix productions, was the BBC worried about bringing that vision to life? Nailing the toneįrom the off, new showrunner Chris Chibnall wanted the series to have a different look and feel.
However, with the work done and the series finally airing on TV, the team are more willing to discuss how they brought this new adventure to life – and the struggles they had getting it filmed in the first place. “And all of a sudden it comes round and you’re like, ‘Oh yeah, that’s what everyone’s doing today – they’re actually watching the work we’ve been doing.” “It’s quite breathtaking – when you start out on the journey it seems a long way off, and we filmed this before last Christmas,” executive producer Matt Strevens told .Įpisode director Jamie Childs added, “It’s one of those things where we’ve just been so in it for so long, it’s kind of like you forget about it. Good Omens showrunner Neil Gaiman says he's "really glad" his Doctor Who episode turned out badly – for one important reason.New Doctor Who stars hit the red carpet for series 11 premiere.
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